![]() ![]() This almost applies in DDLC+ as well, except for Natsuki facing (but not looking at) the screen in the side-story "Self-Love".Once Monika finally gets her own scene, she's definitely looking through the screen. The same applies to all the cutscenes even when Yuri has her face seemingly turned directly at the main character in the towel scene, the scene isn't quite in first-person view, so she's not quite looking at the screen, although that one could be open to interpretation. Not helped by the fact that Monika is the only one of the four girls whose sprites have her directly face the screen looking at the MC/ the player, unlike Sayori, Yuri, and Natsuki's sprites, which are faced at an angle.That epiphany is the realization that her world is a game. On the first day, Monika mentions she's had an epiphany that has been influencing her poems.Notably, her comment about constantly saving and loading is a key hint to getting the Golden Ending. There's Monika's fourth-wall-breaking comments in Act 1 (like a Japanese pun being Lost in Translation or a tip about saving the game), and her comment about feeling like she and the player character are the only people in the club, which the player is likely to dismiss as cute little jokes but is actually the very cause of the game's conflict. ![]() Some songs, such as "Sayo-nara" and "Just Monika," have characters removed from the image, hinting at their eventual removal within the game. ![]()
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